Many of you may
have noticed that there is going to be a new Disney movie with lots of super
stars, such as Chris Pine, Johnny Depp, Jake Gyllenhaal, Emily Blunt and Meryl
Streep released, named ‘into the woods,’ which is the adaption of the Tony
award-winning stage musical written by James Lapine and features music/lyrics
by Stephen Sondheim. Before the film is actually released, I would like to
introduce you the original musical version.
So here the
story goes-The musical combines the well-known fairy tales of Cinderella,
Rapunzel, Jack and the Beanstalk, and Little Red Ridinghood with the story of
the Baker and his Wife who desperately want a child. Unfortunately, the Baker
and his Wife have been cursed with childlessness by a witch and must perform
various missions involving the characters in the other fairy tales to break the
spell. The Baker and his Wife must bring the witch a cow as white as milk, a
cape as red as blood, hair as yellow as corn, and a slipper as pure as gold.
After a series of failed attempts, the Baker and his Wife finally are able to
perform the tasks necessary to break the spell. Once the characters have
accomplished their goals, however, they learn about the pitfalls of greed and
gluttony. Finally, they learn about the need for community and family when they
must unite to fight against the wife of the giant Jack killed who has decided
to come back for revenge.
And did they all
live happily ever after? An afterthought of the question is the reason why I
enjoy this musical so much. There’s much more to fairy stories than initially
meets the child’s naïve eye, and Stephen Sondheim and James Lapine’s popular
musical explores many of these issues, and more, not so immediately obvious. Into
the Woods is held together by Sondheim’s music and ingenious lyrics, and
moments of laugh – out-comedy, with a large cast of characters you thought you
knew, including a cow, birds, a giant and the narrator. My favorite number is
the ‘The spell is on my house’, it’s the reprise of mainly all the characters
sing together.
This show always
inspired warm but mixed feelings in me whenever I’ve encountered it. Never mind
that this production doesn’t feature anything like the usual highly trained
vocalists and orchestra customary. But they can carry meaning, and the sense
that every song in this show is an expression of both individual character and
universal hopes and fears and confusions. In other words, all the people
onstage are there to tell us stories that they utterly believe in, no matter
how improbable they seem. And their care and concern for their stories makes us
pay attention to this “Woods” as we perhaps never have before.
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